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Hello Korea > Blog > K-POP > TWS’s ‘Antal Challenge’ Dominates MBC Entertainment Awards Stage 🏆
K-POP

TWS’s ‘Antal Challenge’ Dominates MBC Entertainment Awards Stage 🏆

Last updated: 2025-12-30 12:42 pm
Hello Korea Editor
5 Min Read
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TWS Just Broke the Internet & the MBC Awards with THIS Viral Challenge! 🏆🔥

Hello Korea Fam, Alex Kim here! In the dynamic world of K-Pop, where trends emerge faster than a 5G download, we’ve just witnessed a masterclass in viral marketing and performance from none other than the sensational group, **TWS**. Their “Angtal Boom” isn’t just a catchy phrase; it’s a meticulously executed strategy that culminated in them absolutely dominating the recent **MBC Entertainment Awards**, setting a new benchmark for year-end award show impact.

On **December 29th**, the **MBC Entertainment Awards** wasn’t just a celebration of broadcast talent; it became a stage for **TWS** to solidify their status as the new icons of year-end award ceremonies. Delivering their signature “power refreshing” performance with their mini 4th album title track, **’OVERDRIVE,’** the group had the entire venue buzzing. Notably, member **Dohun**, who has been actively charming viewers as an MC for ‘Show! Music Core,’ also earned a well-deserved nomination for the Male Rookie Award, proving his multifaceted talent early on.

But the real magic happened during the chorus of **’OVERDRIVE,’** specifically the **’Angtal Challenge’** segment. The infectious “Umm~” lyric, paired with an adorable shoulder sway, swept through the audience like wildfire. From the seasoned entertainers in the audience – including industry **Sunbaes** like **Ko Sung-hwan** and **Choi Hong-man** – everyone was seen playfully joining in, much to the delight of the viewers and the camera crew. The MCs couldn’t help but shower praises, exclaiming, “They are freshness itself!” and “My heart pounded just watching them!”

This on-screen participation quickly translated into a digital explosion, further cementing **TWS**’s reputation as a **’short-form powerhouse.’** We’ve seen this kind of organic virality before with their earlier hits like ‘First meetings don’t go as planned’ and ‘If I’m S, you be my N,’ but the ‘Angtal Challenge’ took it to another level:

  • 📈 Post-broadcast, **TWS** surged to **#1 on Melon’s popular search terms**, showcasing their immediate impact.
  • 📱 By **December 29th**, videos incorporating **’OVERDRIVE’** on various short-form platforms had surpassed an incredible **220,000 views**.
  • 🥇 The track simultaneously dominated the **Instagram** and **TikTok** music charts, snatching the **#1 and #2 spots** respectively.

Editor’s Comment: From a tech and industry perspective, what **TWS** has achieved with the ‘Angtal Challenge’ is a textbook example of leveraging digital platforms for maximum impact. They didn’t just perform; they engineered a participatory content experience, turning viewers into active contributors. This viral loop, from awards show to short-form charts, demonstrates an acute understanding of modern audience engagement and content dissemination. It’s a blueprint for sustainable relevance in the digital age.

This phenomenal popularity is no accident; it’s a direct result of **TWS**’s music resonating deeply with public sentiment. We’ve seen them meticulously carve out and expand their unique genre, **’Boyhood Pop,’** by delving into the intricate emotions of youth throughout the year. Their mini 3rd album, **’TRY WITH US,’** explored the raw ambition of being twenty, garnering immense empathy from listeners. Following that, their mini 4th album, **’play hard,’** showcased the passionate, effervescent facets of youth, firmly establishing them as a definitive ‘youth icon.’ They even brought the essence of **’K-refreshing’** to Japan with their debut single, **’Nice to see you again.’**

Speaking of global expansion, **TWS** has been moving with undeniable momentum. Their Japanese debut single has already achieved cumulative shipments of over **250,000 copies**, earning them a coveted **Platinum certification** from the Recording Industry Association of Japan. This significant achievement is backed by their successful integration into the local market, with multiple appearances on prominent Japanese year-end special broadcasts and invitations to major music festivals. It’s clear they’ve found a receptive audience far beyond Seoul’s city limits.

As the year draws to a close, **TWS** isn’t slowing down. They are set to connect with fans once more on **December 30th** at the **KBS 2TV ‘2025 Music Bank Global Festival IN JAPAN’** and again on **December 31st** at the **’2025 MBC Gayo Daejejeon,’** putting a final, dazzling exclamation point on an incredibly successful year. The future looks undeniably bright for this group, who are proving that strategic content creation and authentic connection are the keys to global domination.

Editor: Alex Kim 💻

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