BABYMONSTER’s Taipei Takeover: A Luxurious Finale Solidifying Global Stardom! 🌟🎶
The global K-pop landscape is once again witnessing the formidable rise of a new powerhouse, as BABYMONSTER concluded their debut fan concert tour, ‘BABYMONSTER [LOVE MONSTERS] ASIA FAN CONCERT 2025-26,’ with an utterly breathtaking and completely sold-out finale in Taipei. This wasn’t merely a concert; it was a grand declaration of their undeniable global impact, showcasing a level of artistry and connection rarely seen from a group less than two years into their journey.

The final stop of their much-anticipated tour saw BABYMONSTER captivate audiences at the Taipei Arena across two exhilarating nights on January 2nd and 3rd. The demand was unprecedented, with both concert tickets and exclusive merchandise selling out instantly, underscoring the fervent anticipation from their dedicated fanbase, Monstiez. We at Hello Korea closely observed as this young group delivered a performance that perfectly encapsulated their “complete-package” identity, blending intricate stagecraft with profoundly personal fan interactions.
The concert’s opening was nothing short of spectacular. Emerging amidst a dazzling display of fireworks, BABYMONSTER ignited the stage with an intensified, band-sound rendition of ‘WE GO UP.’ Their relentless energy propelled the audience into a frenzy, amplified by a meticulously coordinated array of stage effects, including pyrotechnics, vibrant lasers, and dynamic graphics, each element contributing to an immersive and unforgettable experience. It was a testament to their polished stage presence and the high production value expected of a global act.
Beyond the powerful performances, what truly resonated was BABYMONSTER’s heartfelt dedication to connecting with their fans. Their efforts to foster a close-knit bond were evident throughout the show:
- ✨ Members enthusiastically answered random questions posed by fans, showcasing their endearing personalities.
- 🎮 They engaged directly with individual fans through interactive games, creating genuinely special, shared moments.
- 🎁 Utilizing a mobile stage, the group traversed the arena, personally handing out signed balls to fans, ensuring no corner of the venue felt untouched.
The members expressed their gratitude, stating, “We are so happy to be able to show our various sides to Monstiez through this fan concert. This moment of connecting with all of you has been truly special.” Demonstrating their deep affection, they even delivered New Year’s greetings in the local language, a thoughtful gesture that further endeared them to the Taipei audience.
This triumphant finale caps off an extraordinary year for BABYMONSTER. Cumulatively, their solo tours have attracted a staggering 440,000 spectators worldwide. This impressive figure includes 140,000 from the [LOVE MONSTERS] fan concert tour and an additional 300,000 from their debut world tour. Such overwhelming global influence, achieved within less than two years of their debut, is a powerful indicator of their meteoric ascent in the industry.
Moreover, BABYMONSTER’s recent appearances on major year-end broadcasts have generated immense buzz among global fans. Their special stage at Mnet ‘MAMA’ has garnered nearly 16 million views on YouTube, cementing its status as one of the most talked-about performances. Coupled with their standout stage at SBS ‘Gayo Daejeon,’ these performances have propelled them to the top spot for views among all participating artists, further solidifying their viral appeal and mainstream recognition.
This finale was more than a performance; it was a meticulously crafted statement of BABYMONSTER’s ascent, reflecting a global brand in the making. Their ability to connect so intimately while delivering such high-caliber entertainment speaks volumes about their future trajectory in the luxury sphere of K-pop.
As BABYMONSTER continues to redefine what it means to be a global sensation, Hello Korea eagerly anticipates their next move, certain it will be as impactful and meticulously executed as their journey thus far.
Editor: Sophia Kim 💎













