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Reading: CAT’S EYE Achieves Historic Billboard Hot 100 Triple Entry 🎤
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Hello Korea > Blog > K-POP > CAT’S EYE Achieves Historic Billboard Hot 100 Triple Entry 🎤
K-POP

CAT’S EYE Achieves Historic Billboard Hot 100 Triple Entry 🎤

Last updated: 2026-01-14 4:31 pm
Hello Korea Editor
5 Min Read
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🔥 Chart Chaos! KATSEYE Unleashes TRIPLE THREAT on Billboard Hot 100, Redefining Global K-Pop Power! 🚀

The global stage just got a whole lot more electrifying! K-pop history is being rewritten as KATSEYE, the groundbreaking multinational girl group from HYBE and Geffen Records, achieves an astounding feat: simultaneously charting THREE tracks on the highly coveted U.S. Billboard Hot 100.

Hello Korea is thrilled to report that KATSEYE has not just entered the charts, but absolutely dominated, securing multiple spots on the Billboard Hot 100. According to the latest Billboard charts (January 17th KST), their track ‘Gabriela,’ from the second EP ‘BEAUTIFUL CHAOS,’ has rocketed to an impressive No. 21. This marks a new peak for the team on the chart, a remarkable achievement considering the song was released nearly seven months ago. Its incredible staying power has seen it chart for an accumulated 25 weeks, making it the longest-charting song by a girl group last year – a true testament to its lasting appeal and the group’s undeniable live performance energy.

Meanwhile, their brand-new single, ‘Internet Girl,’ made a spectacular debut at No. 29 on the same chart. This is KATSEYE’s highest-ever Hot 100 entry for a debut track, significantly surpassing the initial entries of ‘Gnarly’ (which charted at No. 92 on May 17th) and ‘Gabriela’ (at No. 94 on July 5th). The track’s phenomenal success isn’t entirely surprising; it was a fan-favorite, pre-released during their highly anticipated North American tour, hinting at the powerful global resonance of their live shows. Adding to this incredible trifecta, ‘Gnarly,’ originally released in April last year, re-entered the Billboard Hot 100 at No. 88.

Achieving three simultaneous entries on the Billboard Hot 100 is an incredibly rare feat within K-pop, previously accomplished only by a select few elite artists including BTS, Jungkook, NewJeans, and Jennie. While KATSEYE stands out as a multinational girl group, their success is deeply rooted in the proven ‘K-pop methodology’ of planning and production. This triumph is a resounding validation of HYBE Chairman Bang Si-hyuk’s ‘Multi-home, Multi-genre’ strategy, further cementing the global competitiveness of the K-pop production system. The interconnected success is undeniable: new releases are not just hitting the charts, but also creating a virtuous cycle by reigniting interest and boosting the rankings of their previous hits. This signifies that KATSEYE is not merely a one-hit wonder but a sustainable ‘global pop artist’, poised for enduring impact.

Beyond the Billboard Hot 100, KATSEYE’s global presence is undeniable. ‘Internet Girl’ also made a powerful debut on the UK Official Singles Top 100 at No. 24 (charting January 9-15), setting a new team record for that chart. On Spotify, the track landed at No. 19 on the ‘Weekly Top Song USA’ and No. 31 on the ‘Weekly Top Song Global’ (for January 2-8), signaling its immense viral potential from the very start.

Looking ahead, KATSEYE’s trajectory is nothing short of meteoric, setting the stage for truly unforgettable live moments:

  • 🏆 The group is nominated for ‘Best New Artist’ and ‘Best Pop Duo/Group Performance’ at the 68th Grammy Awards next month – a monumental nod to their artistic prowess.
  • 🎶 Fans can anticipate a thrilling performance as KATSEYE is confirmed to take the stage at the iconic Coachella Valley Music and Arts Festival in April – a prime platform for their explosive live energy.

The charts are one thing, but three simultaneous entries mean an undeniable momentum that will translate directly to their upcoming Grammy and Coachella stages. This isn’t just a win for K-pop; it’s a testament to the power of authentic performance connecting globally.

KATSEYE is undeniably a force to be reckoned with, carving out their unique space in the global music landscape.

Editor: Jason Lee 🎤

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