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Reading: Netflix Just Got SLAPPED: Korean Shows Dominate Global Charts & You NEED To See This! 🤯
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Hello Korea > Blog > K-POP > Netflix Just Got SLAPPED: Korean Shows Dominate Global Charts & You NEED To See This! 🤯
K-POP

Netflix Just Got SLAPPED: Korean Shows Dominate Global Charts & You NEED To See This! 🤯

Last updated: 2025-12-24 1:16 pm
Hello Korea Editor
5 Min Read
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A Dual Triumph! 🏆📜 SLL’s ‘The Price of Confession’ & ‘Black & White Chef 2’ Conquer Netflix Global Non-English TOP10!

Hello Korea Fam, Minho Kang here, ready to delve into the latest chapter of K-content’s global ascendancy. 📜 What we’re witnessing is not merely a fleeting trend, but a testament to Korea’s deeply rooted storytelling prowess and its evolving cultural landscape. This week, we have a particularly fascinating development to discuss from SLL, a powerhouse in Korean entertainment. 🧐

In a remarkable display of diverse content creation, SLL has simultaneously landed both a compelling drama and a captivating variety show on Netflix’s Global Non-English TOP10 chart. This achievement unequivocally underscores SLL’s versatile content competitiveness, proving their mastery across various genres. It’s a moment that truly highlights the depth and breadth of Korean production capabilities on the world stage. ⛩️

According to Netflix’s Global TOP10 chart for the week of December 15–December 21, the Netflix Series ‘The Price of Confession’, co-produced by SLL’s label Production H, secured the 7th position in the Global TOP10 Series (Non-English) category. Directed by the esteemed Lee Jung-hyo and penned by Kwon Jong-gwan, this series made a strong debut, entering at 2nd place in its first week, ascending to 1st in its second, and maintaining its gripping popularity into its third week. The series, known for its dense narrative and intensely crafted characters, has resonated with audiences worldwide, marking its place in the TOP10 in an impressive 20 countries, including:

  • 🇰🇷 Korea
  • 🇵🇪 Peru
  • 🇲🇦 Morocco
  • 🇳🇬 Nigeria
  • 🇭🇰 Hong Kong
  • 🇯🇵 Japan
  • 🇵🇭 Philippines, and many more.

Meanwhile, the Netflix variety show ‘Black & White Chef: Culinary Class War Season 2’ (often abbreviated as ‘Black & White Chef 2’), which premiered on December 16, has also made a sensational impact. Directed by Kim Hak-min and Kim Eun-ji, and planned by Yoon Hyun-joon, this dynamic cooking competition stormed the charts, securing the 1st position in the Non-English category. Building on the buzz of its predecessor, ‘Black & White Chef 2’ has successfully captivated global viewers, entering the TOP10 in 12 countries. This achievement further solidifies the expansive appeal of the K-variety format, demonstrating how Korean entertainment, from high-stakes drama to engaging culinary battles, continues to find a universal audience. 📖

This dual triumph is more than just individual project successes; it’s a profound indicator of SLL’s strategic foresight and the efficacy of its IP portfolio management. By embracing a multi-genre approach that spans both dramas and variety shows, and integrating global distribution considerations from the very initial planning stages, SLL has cultivated a distinct competitive edge. Their impressive track record includes projects like Netflix’s ‘Crime Scene Zero’, Disney+’s ‘Pine: The Boondockers’, and Coupang Play’s ‘Just Make Up’, all meticulously crafted for international resonance. 🖋️

As a cultural historian, I find this development particularly illuminating. The sustained global impact of SLL’s diverse content reflects a deeper trend – the evolution of Korea’s ‘soft power’ from traditional arts and cuisine to contemporary media. It’s a testament to how creative ingenuity, coupled with a keen understanding of global market dynamics, can transform local narratives into universally cherished experiences. This isn’t just about entertainment; it’s about cultural dialogue and connection, beautifully packaged. 📜

An SLL representative shared, “This simultaneous entry into the global TOP10 transcends the individual success of each work. It demonstrates that the content production system and IP distribution strategy SLL has built are effective in the global market.” We at Hello Korea anticipate continued innovation from SLL as they promise to expand global audience touchpoints with sustainable IPs across drama, film, and variety. The future of K-content, it seems, is brighter and more diverse than ever! 🧐

Editor: Minho Kang 📜

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